{"id":6009,"date":"2023-05-26T10:44:04","date_gmt":"2023-05-26T08:44:04","guid":{"rendered":"https:\/\/festivalacko.sk\/archiv\/2023\/?page_id=6009"},"modified":"2023-11-06T12:45:31","modified_gmt":"2023-11-06T11:45:31","slug":"sutazne-pasma-2023","status":"publish","type":"page","link":"https:\/\/festivalacko.sk\/archiv\/2023\/sutazne-pasma-2023\/","title":{"rendered":"S\u00fa\u0165a\u017en\u00e9 p\u00e1sma 2023"},"content":{"rendered":"\t\t
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S\u00da\u0164A\u017dN\u00c9 P\u00c1SMA<\/strong><\/span><\/h3>\n<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t P\u00c1SMO 1 – \u013dUDSKOS\u0164<\/span><\/b>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t Iluze, rod mu\u017esk\u00fd (A Sea to Remember)\u00a0<\/span> <\/b>\n

\n\n\u017d\u00e1ner:<\/strong> dokument\u00e1rna esej<\/span>\n
\nStop\u00e1\u017e:<\/strong> 10 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Radek \u0160ev\u010d\u00edk, V\u00fdkonn\u00fd producent:<\/strong> \u0160imon Hud\u00e1k, Scen\u00e1r: Radek \u0160ev\u010d\u00edk, Kamera a strih:<\/strong> Petr Chrom\u010d\u00e1k, Zvuk:<\/strong> Marek Brinz\u00edk<\/span><\/i>\u00a0<\/span>\n

\n\nStar\u00fd indick\u00fd m\u00fdtus o prom\u011bn\u011b mudrce Narady o\u017e\u00edv\u00e1 v osobn\u00ed dokument\u00e1rn\u00ed eseji \u201eiluze, rod mu\u017esk\u00fd\u201c. Autor poznamenan\u00fd zku\u0161enost\u00ed se svou babi\u010dkou trp\u00edc\u00ed nemoc\u00ed, je\u017e postihuje pam\u011b\u0165 a vn\u00edm\u00e1n\u00ed reality, se rozhodl prozkoumat tenkou hranici mezi realitou a iluz\u00ed. Jak spolu m\u016f\u017ee souviset domov d\u016fchodc\u016f a virtu\u00e1ln\u00ed realita? M\u016f\u017ee b\u00fdt re\u017eis\u00e9r z\u00e1rove\u0148 princem? Nejsou na\u0161e vzpom\u00ednky jen pouhou iluz\u00ed? Ponorn\u00e1 filmov\u00e1 miniatura kombinuj\u00edc\u00ed archivy z rodinn\u00e9 VHS kamery s digit\u00e1ln\u00edm z\u00e1znamem podn\u011bcuje k \u00favah\u00e1m o nejist\u00e9 povaze skute\u010dnosti.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t Tento divn\u00fd de\u0148 (This Strange Day)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner<\/strong>: psychologick\u00e1 dr\u00e1ma<\/span>\n
\nStop\u00e1\u017e:<\/strong> 18 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Em\u00edlia Ondria\u0161ov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Tom\u00e1\u0161 Kubica, Scen\u00e1r:<\/strong> Pavol Babej a Em\u00edlia Ondria\u0161ov\u00e1, Kamera:<\/strong> Alex Miartu\u0161, Strih: Em\u00edlia Ondria\u0161ov\u00e1, Zvuk:<\/strong> Samuel \u0160kubla, Vizu\u00e1lne efekty:<\/strong> Patrik Maryniak<\/span><\/i>\u00a0<\/span>\n

\n\u0160tyridsiatnik Martin m\u00e1 v\u0161etko \u2013 niche gal\u00e9riu, byt v Starom meste a kr\u00e1snu, \u00faspe\u0161n\u00fa, inteligentn\u00fa \u017eenu. No monot\u00f3nnos\u0165 dospelosti ho nud\u00ed. Absentuj\u00face porozumenie a v\u00e1\u0161e\u0148 v jeho man\u017eelstve nahradili v\u0161ade pr\u00edtomn\u00e9 Pribin\u00e1\u010diky a erotick\u00e9 predstavy z mladosti. Bez\u00fate\u0161nosti vlastn\u00e9ho \u017eivota sa preto rozhodne postavi\u0165 ako chlap \u2013 ute\u010die. <\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t Jisei (Jisei)\u00a0<\/span><\/b>\n\n

\n\u017d\u00e1ner:<\/strong> samurajsk\u00fd horor, muzik\u00e1l<\/span>\n
\nStop\u00e1\u017e:<\/strong> 17 min.\u00a0<\/span>\n
\nR\u00e9\u017eia, scen\u00e1r a strih:<\/strong> Dominik Reisel, V\u00fdkonn\u00fd producent:<\/strong> Juraj Velick\u00fd, Kamera:<\/strong> Sabina Zelinkov\u00e1, Zvuk:<\/strong> Adriana Mackov\u010d\u00e1kov\u00e1<\/span><\/i>\u00a0<\/span>\n

\n\nSlovo “Jisei” znamen\u00e1 b\u00e1se\u0148 smrti, ktor\u00fa samuraj nap\u00edsal pred sp\u00e1chan\u00edm ritu\u00e1lnej samovra\u017edy. Film ukazuje pr\u00edbeh tr\u00e9nera bojov\u00e9ho umenia kendo a jeho syna, vyrastaj\u00faci v nevyslobodite\u013enom cykle traumy, v\u00fd\u010ditok, n\u00e1silia a t\u00fa\u017eby po smrti. Syn, ktor\u00fd je dualisticky roztrhnut\u00fd medzi idolizovan\u00edm otca a nen\u00e1vis\u0165ou k nemu a sebe sam\u00e9mu. <\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t Momentum (Momentum)\u00a0<\/span><\/b>\n

\n\n\u017d\u00e1ner:<\/strong> analytick\u00fd dokument<\/span>\n
\nStop\u00e1\u017e:<\/strong> 26 min.\u00a0<\/span>\n
\nR\u00e9\u017eia, scen\u00e1r a zvuk:<\/strong> Samo Ra\u00fdman, V\u00fdkonn\u00fd producent:<\/strong> Juliana Stra\u010dinov\u00e1, Kamera:<\/strong> Kate\u0159ina Dur\u010f\u00e1kov\u00e1, Strih:<\/strong> Danil Gavrylov<\/span><\/i>\u00a0<\/span>\n

\n\n\u0160tudent dokument\u00e1rnej r\u00e9\u017eie sa vyd\u00e1va na n\u00e1ro\u010dn\u00fa odyseu, ktorej cie\u013eom je naplni\u0165 akademick\u00e9 po\u017eiadavky a v dokument\u00e1rnom filme zn\u00e1zorni\u0165 ak\u00fasi b\u00e1jnu objekt\u00edvnu skuto\u010dnos\u0165. V re\u00e1lnom svete v\u0161ak re\u00e1lny svet nie je tak\u00fd jednozna\u010dn\u00fd, ako vo filmoch, a preto je tak \u0165a\u017ek\u00e9 o \u0148om film nato\u010di\u0165. Napriek prvotn\u00fdm ne\u00faspechom film, prirodzene kon\u010d\u00ed happy-endom. Re\u017eis\u00e9r objavuje podstatu skuto\u010dnosti, princezn\u00e1 je zachr\u00e1nen\u00e1 a davy jasaj\u00fa.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tPre\u010do tu m\u00e1m \u017ei\u0165? (Why should I live here?)\u00a0<\/span><\/b>\n\n

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma<\/span>\n
\nStop\u00e1\u017e:<\/strong> 5 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Hannah Dale, V\u00fdkonn\u00fd producent:<\/strong> Juliana Stra\u010dinov\u00e1, Scen\u00e1r:<\/strong> Hannah Dale a Kl\u00e1ra Filasov\u00e1, Kamera:<\/strong>\u00a0Tereza Havadejov\u00e1, Strih:<\/strong> Peter Ko\u0161ka, Zvuk:<\/strong> Filip Benkovits<\/span><\/i>\u00a0<\/span>\n

\n\nAko ur\u010d\u00edme hranicu medzi t\u00fdm, \u010do je realita a \u010do u\u017e nie? Medzi t\u00fdm, \u010do n\u00e1m je zn\u00e1me a nezn\u00e1me, s\u00fa len dvere n\u00e1\u0161ho vn\u00edmania. Sledujeme pr\u00edbeh mu\u017ea bojuj\u00faceho so svojimi vlastn\u00fdmi my\u0161lienkami, ktor\u00e9 rozmaz\u00e1vaj\u00fa hranice medzi realitou a predstavivos\u0165ou. Nav\u017edy zacyklen\u00fd v kruhu svojej minulosti, stoj\u00ed na hranici temnoty svojej vlastnej mysle.\u00a0<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t Z\u00e1zra\u010dn\u00e1 rozpr\u00e1vka (A Magical Fairytale)\u00a0<\/span><\/b>\n\n

\n\u017d\u00e1ner:<\/strong> fantasy<\/span>\n
\nStop\u00e1\u017e:<\/strong> 13 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Viliam \u010cor\u0148\u00e1k, Tom\u00e1\u0161 Sikora, R\u00e1chel Rimar\u010d\u00edkov\u00e1, Emma Vi\u010danov\u00e1, Katar\u00edna Csikm\u00e1kov\u00e1, Anna Demovi\u010dov\u00e1 a Klaudia Grancov\u00e1<\/span><\/i> \n<\/span>V\u00fdkonn\u00fd producent:<\/strong> Tom\u00e1\u0161 Sikora a Viliam \u010cor\u0148\u00e1k<\/span><\/i> \n<\/span>Scen\u00e1r:<\/strong> R\u00e1chel Rimar\u010d\u00edkov\u00e1, Emma Vi\u010danov\u00e1, Katar\u00edna Csikm\u00e1kov\u00e1, Anna Demovi\u010dov\u00e1 a Klaudia Grancov\u00e1<\/span><\/i> \n<\/span>Kamera:<\/strong> Tom\u00e1\u0161 Sikora, Viliam \u010cor\u0148\u00e1k a Martin Slov\u00e1k<\/span><\/i> \n<\/span>Strih:<\/strong> R\u00e1chel Rimar\u010d\u00edkov\u00e1, Emma Vi\u010danov\u00e1, Katar\u00edna Csikm\u00e1kov\u00e1, Anna Demovi\u010dov\u00e1, Klaudia Grancov\u00e1, Viliam \u010cor\u0148\u00e1k a Tom\u00e1\u0161 Sikora<\/span><\/i> \n<\/span>Zvuk:<\/strong> Mat\u00fa\u0161 Dibarbora, Sanya Buhaiev a Marek Votruba<\/span><\/i> \n<\/span>Vizu\u00e1lne Efekty:<\/strong> Viliam \u010cor\u0148\u00e1k a Tom\u00e1\u0161 Sikora<\/span><\/i>\u00a0<\/span>\n

\n\nPozemsk\u00e1 br\u00e1na smrti, Purgat\u00f3rium, Gr\u00e9cky Olymp a Mlie\u010dna dr\u00e1ha – \u0161tyri priestory, \u0161tyri pr\u00edbehy, \u0161tyri r\u00f4zne poh\u013eady na ot\u00e1zku, \u010di existuje nie\u010do viac ako \u010dlovek. Posledn\u00e1 ve\u010dera so stra\u0161idlami, byrokracia po smrti, nah\u00e1\u0148a\u010dka Bohov, \u010di cesta vesm\u00edrnym vlakom. Na prv\u00fd poh\u013ead nespojite\u013en\u00e9 v sebe nach\u00e1dzaj\u00fa ist\u00e9 prepojenia.\u00a0<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t Odtiene svetla (Shades of Light)\u00a0<\/span><\/b>\n

\n\n\u017d\u00e1ner:<\/strong> portr\u00e9t<\/span>\n
\nStop\u00e1\u017e:<\/strong> 26 min.\u00a0<\/span>\n
\nR\u00e9\u017eia a strih:<\/strong> D\u00e1\u0161a Ferkov\u00e1, Scen\u00e1r:<\/strong> D\u00e1\u0161a Ferkov\u00e1, Jarmila Ferkov\u00e1, Kamera:<\/strong> Pavol Kuruc, D\u00e1\u0161a Ferkov\u00e1, Zvuk:<\/strong> Martin Prielo\u017en\u00fd<\/span><\/i>\u00a0<\/span>\n\n

\nFilm vypoved\u00e1 pr\u00edbeh o Viere Karasovej, ve\u013emi produkt\u00edvnej a cie\u013eavedomej \u017eene, klaviristke, ktor\u00e1 s absol\u00fatnym sluchom u\u010d\u00ed a komponuje hudbu. Od narodenia je v\u0161ak nevidiaca, \u010do zna\u010dne ovplyv\u0148uje sp\u00f4sob jej fungovania. Aj ke\u010f sa sama neraz stret\u00e1 s bremenami spojen\u00fdmi s jej deficitom, Viera je obrazom toho, ako \u010dlovek dok\u00e1\u017ee nedostatok pretavi\u0165 vo svoj prospech, ako sa odhodlane dr\u017ea\u0165 n\u00e1deje na partnersk\u00fa l\u00e1sku a na k\u00fasok rovnocenn\u00e9ho miesta vo \u201evidiacom svete\u201c. Autorka chce pouk\u00e1za\u0165 na d\u00f4le\u017eitos\u0165 \u017eivotn\u00fdch hodn\u00f4t, odhodlania. Chce pribl\u00ed\u017ei\u0165 svet nevidiaceho a jeho oby\u010dajn\u00fd \u017eivot so snami, ktor\u00e9 sa vidiacim \u010dasto zdaj\u00fa zanedbate\u013en\u00e9. Sleduje vz\u0165ah Viery s vidiacim Pavlom, ich t\u00fa\u017eby, spoluna\u017e\u00edvanie a s t\u00fdm spojen\u00e9 z\u00e1polenia. Viera, \u00faspe\u0161n\u00e1 pesni\u010dk\u00e1rka a u\u010dite\u013eka, otvor\u00ed svoj svet so v\u0161etk\u00fdmi jeho odtie\u0148mi.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tBiele slony (White Elephants)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma<\/span>\n
\nStop\u00e1\u017e:<\/strong> 14 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Rastislav Kup\u0161o, V\u00fdkonn\u00fd producent:<\/strong> Nat\u00e1lia Uhrinov\u00e1, Scen\u00e1r:<\/strong> Rastislav Kup\u0161o, Marek Va\u0148a, Kamera:<\/strong> Timotej Talapka, Strih:<\/strong> Adam Okoli\u010d\u00e1ny, Zvuk:<\/strong> Richard Zbit\u00e1k, Vizu\u00e1lne efekty:<\/strong> Viliam Dr\u00e1b<\/span><\/i>\u00a0<\/span>\n

\nMiki a Zoja s\u00fa mladou dvojicou straten\u00fdch existenci\u00ed \u017eij\u00facich neviazan\u00fdm \u017eivotom. Oboch sp\u00e1ja no\u010dn\u00fd \u017eivot, divok\u00e9 ve\u010dierky a drogy. Ich vz\u0165ah m\u00e1 ak\u00fasi \u017eivo\u010d\u00ed\u0161nu podobu toxickej l\u00e1sky, nem\u00f4\u017eu by\u0165 spolu ani od seba. Neust\u00e1le sa sch\u00e1dzaj\u00fa a rozch\u00e1dzaj\u00fa. Nov\u00fdm kame\u0148om \u00farazu je Zojine tehotenstvo. Miki never\u00ed, \u017ee sa o die\u0165a dok\u00e1\u017eu postara\u0165 a Zoja si neuvedomuje z\u00e1va\u017enos\u0165 situ\u00e1cie.\u00a0 Po\u010das jednej trpkej noci sa obaja sch\u00e1dzaj\u00fa v zafaj\u010denom no\u010dnom bare, ktor\u00fd pon\u00faka priestor pre v\u00e1\u017eny rozhovor. A \u010di chc\u00fa alebo nie, bud\u00fa sa musie\u0165\u00a0 v tom svojom nalajnovano-opitom svete po prv\u00fd kr\u00e1t pozrie\u0165 na bud\u00facnos\u0165 a zmysluplnos\u0165 svojho vz\u0165ahu prekvapivo triezvym poh\u013eadom.\u00a0<\/span>\n\n\u00a0\u00a0<\/span>\n\nZ\u00e1merom re\u017eijnej interpret\u00e1cie poviedky Hory ako biele slony od E. Hemingwaya, je posun\u00fa\u0165 probl\u00e9m, ktor\u00fd v p\u00f4vodnom diele postavy rie\u0161ia do s\u00fa\u010dasnosti medzi hedonistick\u00fa ml\u00e1de\u017e, ktorej \u017eivotn\u00fd \u0161t\u00fdl a nerozv\u00e1\u017ene rozhodnutia nar\u00e1\u017eaj\u00fa na tvrd\u00fa realitu n\u00e1sledkov a \u010dastokr\u00e1t tak pred nimi stoj\u00ed nejasn\u00e1 vidina bud\u00facnosti.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t P\u00c1SMO 2 – MOZAIKA<\/b>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tLucia (Lucia)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma, kom\u00e9dia<\/span>\n
\nStop\u00e1\u017e:<\/strong> 23 min.\u00a0<\/span>\n
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Mikul\u00e1\u0161 Kri\u0161pin I\u017edinsk\u00fd, V\u00fdkonn\u00fd producent:<\/strong> Jana Gerthoferov\u00e1, Kamera:<\/strong> Jaroslav Kuch\u00e1rik, Strih:<\/strong> L\u00edvia Vr\u00e1bel-Slim\u00e1kov\u00e1, Zvuk:<\/strong> Martin Chrastina<\/span><\/i>\u00a0<\/span>\n

\nLucia je here\u010dka tesne pred p\u00e4\u0165desiatkou. Vz\u0165ahy vo svojom \u017eivote pova\u017euje bu\u010f za nudn\u00e9 alebo nudne oby\u010dajn\u00e9. Unaven\u00e1 stereotypom h\u013ead\u00e1 nov\u00e9 impulzy, ktor\u00e9 by jej priniesli nejak\u00fa zauj\u00edmav\u00fa zmenu. \u010c\u00edm je v\u0161ak \u010dlovek star\u0161\u00ed t\u00fdm je \u0165a\u017e\u0161ie n\u00e1js\u0165 v\u00f4\u013eu aj pre tie najmen\u0161ie zmeny. Ot\u00e1zka teda znie – \u010do s t\u00fdm viem e\u0161te urobi\u0165? <\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tDva t\u00fd\u017edne (Two Weeks)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma, kom\u00e9dia, romantick\u00fd<\/span>\n
\nStop\u00e1\u017e:<\/strong> 20 min.\u00a0<\/span>\n
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Juraj Kr\u00e9n, V\u00fdkonn\u00fd producent:<\/strong> Jaroslav Stup\u00e1k, Kamera:<\/strong> Luk\u00e1\u0161 Peter T\u00f3th, Strih:<\/strong> Filip \u0160ablatura, Zvuk:<\/strong> Jakub Spiszak<\/span><\/i>\u00a0<\/span>\n

\nSamot\u00e1rovi \u010eurovi sa do bytu na dva t\u00fd\u017edne nas\u0165ahuje mlad\u00e1 sle\u010dna, dc\u00e9ra zn\u00e1meho. \u010euro sa pobl\u00e1zni a otvor\u00ed sa tak aj star\u0161\u00edm \u017een\u00e1m.\u00a0<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tPianissimo (Pianissimo)\u00a0<\/span><\/b>\n

\n\n\u017d\u00e1ner:<\/strong> dr\u00e1ma<\/span>\n
\nStop\u00e1\u017e:<\/strong> 25 min.\u00a0<\/span>\n
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Rebeka Sabolov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Victoria Gaba\u0161ov\u00e1, Kamera:<\/strong> Sabina Zelinkov\u00e1, Strih:<\/strong> Nina Gre\u010dkov\u00e1, Zvuk:<\/strong> Samuel \u0160ebok<\/span><\/i>\u00a0<\/span>\n

\n\nD\u00e1\u0161in \u017eivot sa bl\u00ed\u017ei k momentu, kedy by mala opusti\u0165 domov, mikrosvet, ktor\u00fd dobre pozn\u00e1 a m\u00e1 v \u0148om svoje miesto. Hodnota ka\u017ed\u00e9ho elementu jej pokojn\u00e9ho \u017eivota vystupuje do popredia pr\u00e1ve v s\u00favislosti s nadch\u00e1dzaj\u00facim odl\u00fa\u010den\u00edm. Skrze mozaiku post\u00e1v a ka\u017edodenn\u00fdch situ\u00e1ci\u00ed je n\u00faten\u00e1 prehodnocova\u0165, nako\u013eko siln\u00e1 je v\u00f4\u013ea od\u00eds\u0165.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tK\u013e\u00fa\u010d (Master Key)\u00a0<\/span><\/b>\n\n

\n\u017d\u00e1ner:<\/strong> kom\u00e9dia<\/span>\n
\nStop\u00e1\u017e:<\/strong> 13 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Rastislav Kup\u0161o, V\u00fdkonn\u00fd producent:<\/strong> Klaudia Kolekov\u00e1, Scen\u00e1r:<\/strong> Rastislav Kup\u0161o a J\u00e1n Ben\u010d\u00edk, Kamera:<\/strong> Timotej Talapka, Strih:<\/strong> Adam Okoli\u010d\u00e1ny, Zvuk:<\/strong> Richard Zbit\u00e1k, Vizu\u00e1lne efekty:<\/strong> Adam Zvolensk\u00fd, \u0160imon Mach\u00e1\u010d, Jozef Fruni<\/span><\/i>\u00a0<\/span>\n\n

\nV z\u00e1mo\u010dn\u00edckej dielni podstupuj\u00fa \u017eiaci sk\u00fa\u0161ku z odborn\u00e9ho v\u00fdcviku a dost\u00e1vaj\u00fa od svojho svojr\u00e1zneho majstra za \u00falohu z kusu p\u00e1soviny ru\u010dne vypiln\u00edkova\u0165 univerz\u00e1lny k\u013e\u00fa\u010d. Ferko K\u013e\u00fa\u010dik mlad\u0161\u00ed sa s piln\u00edkom a p\u00edlkou na \u017eelezo v ruke c\u00edti nesvoj. Je to fl\u00e1ka\u010d a rozhodne sa pre podvod – dokon\u010di\u0165 k\u013e\u00fa\u010d v dom\u00e1cej dielni s lep\u0161\u00edm vybaven\u00edm. Tam ho v\u0161ak nachyt\u00e1 otec. S\u00e1m si zaspom\u00edna ako z\u00e1pasil s t\u00fdmto kusom \u017eeleza a chce svojmu synovi uk\u00e1za\u0165 ako to spr\u00e1vne robi\u0165. No nie je tak\u00fdm majstrom ako m\u00f4\u017ee na prv\u00fd poh\u013ead vyzera\u0165 a mo\u017eno aj on pri tejto sk\u00fa\u0161ke fu\u0161oval. Medzi majstrom a fu\u0161erom je toti\u017e ve\u013emi tenk\u00e1 hranica. A vo svete kde ch\u00fdba \u017eensk\u00e1 ruka, ni\u010d nejde \u00faplne hladko. Zost\u00e1va len d\u00fafa\u0165, \u017ee sa na sc\u00e9ne objav\u00ed star\u00fd majster, ktor\u00fd d\u00e1 veci do poriadku. K\u013e\u00fa\u010d reflektuje nieko\u013ekogenera\u010dn\u00fd podvod pri konven\u010dnom \u0161kolskom zadan\u00ed a ma za \u00falohu vypoveda\u0165 nie\u010do m\u00e1lo o slovenskej n\u00e1ture, genera\u010dnom zacyklen\u00ed, ale aj celkovo o stave na\u0161ej malebnej krajiny, kde sa ni\u010d nerob\u00ed na poriadok a v\u0161etko sa fu\u0161uje.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tHala 22 (Hall 22)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner:<\/strong> portr\u00e9t<\/span>\n
\nStop\u00e1\u017e:<\/strong> 25 min.\u00a0<\/span>\n
\nR\u00e9\u017eia, kamera strih:<\/strong> Nikola Ko\u010di\u0161ov\u00e1, Zvuk:<\/strong> Norbert Nehez<\/span><\/i>\u00a0<\/span>\n

\nKr\u00e1tkometr\u00e1\u017eny dokument\u00e1rny film Hala 22 d\u00e1va do popredia pr\u00edbeh Uzbeka Abdusaloma, ktor\u00fd na\u0161iel domov na Pra\u017eskej tr\u017enici v Hole\u0161ovic\u00edch, kde sa pr\u00edbeh odohr\u00e1va. Hala ozna\u010den\u00e1 \u010d\u00edslom 22 je mestom v meste. Priestor zap\u013a\u0148aj\u00fa obchodn\u00edci r\u00f4znych n\u00e1rodnost\u00ed a tvoria vlastn\u00fa komunitu. Dokument reflektuje spolo\u010densk\u00fa situ\u00e1ciu, n\u00e1zory \u013eud\u00ed a ukazuje poh\u013ead cudzinca na dom\u00e1cich a na krajinu, v ktorej sa ocitol. Cie\u013eom filmu je reflektova\u0165 dobu, filmovo vyrozpr\u00e1va\u0165 pr\u00edbeh Abdusaloma div\u00e1kom a zodpoveda\u0165 ot\u00e1zku, \u010do rob\u00ed domov domovom.<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tEcl\u012bpsis\n(Ecl\u012bpsis)\u00a0<\/span><\/b>\n

\n\u017d\u00e1ner:<\/strong> autorsk\u00fd film<\/span>\n
\nStop\u00e1\u017e:<\/strong> 6 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/strong> Tereza Havadejov\u00e1<\/span><\/i>\u00a0<\/span>\n

\nPostava diev\u010da\u0165a prech\u00e1dza skrz zrkadlo a dost\u00e1va sa do sveta svojho podvedomia, ktor\u00fdm putuje. Tu stret\u00e1 svoj tie\u0148, \u010das\u0165 svojej osobnosti, ktor\u00e1 sa pred \u0148ou ukr\u00fdva, v\u0161etko, \u010do sa navonok neprejavuje a azda o sebe ani nevie. Existuje v opoz\u00edcii k nie\u010domu in\u00e9mu, ako de\u0148 a noc, alebo Mesiac a slne\u010dn\u00e9 svetlo, ktor\u00e9 sa vz\u00e1jomne dop\u013a\u0148aj\u00fa a zrkadlia, no s\u00fa od seba pravdepodobne nav\u017edy oddelen\u00e9. Jedin\u00fd bod stretnutia je neuchopite\u013en\u00fd moment medzi d\u0148om a nocou, zatmenie, ktor\u00e9 v tej istej chv\u00edli vznik\u00e1 a str\u00e1ca sa pred o\u010dami – de\u0148 prech\u00e1dza do noci a naopak, no dok\u00e1\u017eu niekedy naozaj splyn\u00fa\u0165? <\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t M\u0148am (Yum)<\/span>

\n\u017d\u00e1ner:<\/strong> groteska\n
\nStop\u00e1\u017e:<\/strong> 4 min.
\nR\u00e9\u017eia, scen\u00e1r, kamera a strih:<\/strong> Jakub Bondor, V\u00fdkonn\u00fd producent:<\/strong> Anna M\u00e1ria Zimov\u00e1, Strih:<\/strong> Jakub Bondor, Zvuk:<\/strong> Adam \u010curko, Vizu\u00e1lne efekty:<\/strong> Jakub Bondor, Dominik Prokop<\/em>

\nDynamick\u00e1 hrav\u00e1 nah\u00e1\u0148a\u010dka medzi skejtbordistom a potvorou z vesm\u00edru.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tAether (Aether)<\/span> \u00a0<\/strong>\n\n

\n\u017d\u00e1ner: Sci-fi\u00a0<\/span>\n
\nStop\u00e1\u017e: 7 min.\u00a0<\/span>\n
\nR\u00e9\u017eia:<\/em> Mari\u00e1n Valovi\u010d, V\u00fdkonn\u00fd producent:<\/em> Diana Hanzelov\u00e1, Scen\u00e1r: Karin Kissov\u00e1, Kamera:<\/em> Alex Miartu\u0161, Strih:<\/em> Petra Vrbov\u00e1, Zvuk:<\/em> Adriana Mackov\u010d\u00e1kov\u00e1, Vizu\u00e1lne efekty:<\/em> Tom\u00e1\u0161 Dvo\u0159\u00e1k\u00a0<\/span>\n\n

\nKr\u00e1tky sci-fi film AETHER sleduje hrdinku menom Lux, ktor\u00e1 let\u00ed na kamenist\u00fa plan\u00e9tu zbiera\u0165 drahokamy a miner\u00e1ly. Hl\u00fapa n\u00e1hoda ju priv\u00e1dza aj ku vz\u00e1cnemu kame\u0148u Aether, ktor\u00fd je predmetom intergalaktick\u00e9ho workshopu. O blahod\u00e1rnych \u00fa\u010dinkoch tohto kame\u0148a bude predn\u00e1\u0161a\u0165 ve\u013emi zn\u00e1my a poh\u013eadn\u00fd geol\u00f3g, do ktor\u00e9ho je Lux platonicky zamilovan\u00e1. Lux ver\u00ed nielen v silu miner\u00e1lov a drahokamov, ale z\u00e1rove\u0148 aj v to, \u017ee svojou zbierkou zaujme predn\u00e1\u0161aj\u00faceho na workshope. Preto nemysl\u00ed na mno\u017estvo kame\u0148ov a sna\u017e\u00ed sa ich nazbiera\u0165 \u010do najviac. Svojou pobl\u00e1znenos\u0165ou kame\u0148mi pre\u0165a\u017euje lo\u010f, kv\u00f4li \u010domu m\u00e1 probl\u00e9m odletie\u0165 z plan\u00e9ty. Risk nestihnutia workshopu v\u0161ak pre Lux neprich\u00e1dza v \u00favahu a preto sa rozhodne zbavi\u0165 v\u0161etk\u00e9ho, \u010do pova\u017euje za nepotrebn\u00e9. Nakoniec \u00faspe\u0161ne odlieta z plan\u00e9ty len aby kr\u00e1tko na to zistila, \u017ee vyhodila aj z\u00e1soby paliva. Bezmocn\u00e1 sa nech\u00e1va un\u00e1\u0161a\u0165 vesm\u00edrom uvedomuj\u00fac si, \u017ee sa na workshop nestihne dostavi\u0165 a nikdy neuvid\u00ed ani svoju platonick\u00fa l\u00e1sku. Naozaj sa nikdy nem\u00e1 hovori\u0165 nikdy?<\/span>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tHod na Mesiac (Moon Toss) <\/span>

\n\u017d\u00e1ner:<\/strong> animovan\u00e1 rozpr\u00e1vka
\n\nStop\u00e1\u017e:<\/strong> 5 min.
\nR\u00e9\u017eia:<\/strong> Juraj Zb\u00edn<\/em>

\nDvaja \u0161ikovn\u00ed majstri z dediny sa rozhodn\u00fa sledova\u0165 v telev\u00edzii prist\u00e1tie na Mesiaci. Tento nedosiahnute\u013en\u00fd cie\u013e by chcel za\u017ei\u0165 aj jeden z nich. Preto sa rozhodne na svojom dvore postavi\u0165 vlastn\u00fa raketu, ktor\u00e1 by ho doviedla na Mesiac. Ako model rakety pou\u017eije svoje auto a motor postav\u00ed s vyu\u017eit\u00edm Coly a Mentosu. Av\u0161ak aj napriek svojim zru\u010dnostiam a \u0161\u0165astiu, ako vieme, Mesiac je \u010faleko.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tJar (Spring)<\/span>\n

\n\u017d\u00e1ner:<\/strong> experiment\u00e1lny, dr\u00e1ma\n
\nStop\u00e1\u017e:<\/strong> 6 min.\nR\u00e9\u017eia:<\/strong> Erik Jasa\u0148, V\u00fdkonn\u00fd producent:<\/strong> Jaroslav Stup\u00e1k, Scen\u00e1r, strih a vizu\u00e1lne efekty:<\/strong> Kevin \u0160imko, Kamera:<\/strong> Jakub Jo\u017eio, Zvuk:<\/strong> Pavol Guman<\/em>\n

\nKr\u00e1tka adapt\u00e1cia z mytol\u00f3gie, kde diev\u010da zobrazuj\u00face bohy\u0148u zimn\u00e9ho ro\u010dn\u00e9ho obdobia utekaj\u00fa do tmav\u00e9ho lesa pred svetlom. Jej sestra, bohy\u0148a jari, ju ale dobehne a preberie nad \u0148ou moc.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t P\u00c1SMO 3 – PRELOM<\/b>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tBl\u00edzko (Close)<\/span>

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma\n
\nStop\u00e1\u017e:<\/strong> 29 min.
\nR\u00e9\u017eia:<\/strong> Gregor Valentovi\u010d, V\u00fdkonn\u00fd producent:<\/strong> Diana Ka\u010derjakov\u00e1, Scen\u00e1r:<\/strong> Gregor Valentovi\u010d, Sa\u0161a Gabri\u017eov\u00e1, Kamera:<\/strong> Luk\u00e1\u0161 Ka\u010derjak, Strih:<\/strong> Katar\u00edna Pavelkov\u00e1, Zvuk:<\/strong> Samuel \u0160kubla, Vizu\u00e1lne efekty:<\/strong> Patrik Maryniak<\/em>

\nRobi a Zuzana s\u00fa dlhoro\u010dn\u00ed priatelia z Hudobnej univerzity. On je klavirista, ona hudobn\u00e1 mana\u017e\u00e9rka a pri pr\u00edle\u017eitosti doktorandsk\u00e9ho koncertu sa vyber\u00fa do Viedne nav\u0161t\u00edvi\u0165 svojho spolo\u010dn\u00e9ho priate\u013ea, skladate\u013ea Paula. To, \u010do sa spo\u010diatku jav\u00ed ako pr\u00edjemn\u00e9 stretnutie troch dobr\u00fdch kamar\u00e1tov, sa zmen\u00ed na s\u00fa\u0165a\u017e o pozornos\u0165 a sympatie Rak\u00fa\u0161ana. Noc je mlad\u00e1, Viede\u0148 kr\u00e1sna, a ke\u010f sa zobudia, ich priate\u013estvo u\u017e nikdy nebude tak\u00e9 ako predt\u00fdm.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tNa v\u00fdchyr (Flexin) <\/span>

\n\u017d\u00e1ner:<\/strong> animovan\u00fd sketch
\n\nStop\u00e1\u017e:<\/strong> 3 min.\nR\u00e9\u017eia:<\/strong> Samuel P\u00fachovsk\u00fd, Zvuk:<\/strong> \u0160tefan Tomko, Tom\u00e1\u0161 Michal\u010d\u00e1k<\/em>

\nKr\u00e1tky animovan\u00fd film o vt\u00e1\u010dikoch, chamtivosti, ne\u0161\u0165astnej n\u00e1hode, ale i ochote pom\u00f4c\u0165.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\u0160kriatkovsk\u00e9 bohatstvo (Gnome’s Fortune) <\/span>

\n\u017d\u00e1ner:<\/strong> rozpr\u00e1vka
\n\nStop\u00e1\u017e:<\/strong> 7 min.
\nR\u00e9\u017eia:<\/strong> Krist\u00edna Bajan\u00edkov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Samuel Viliam Vacval, Scen\u00e1r:<\/strong> Michaela K\u013eu\u010darov\u00e1, Strih:<\/strong> Zolt\u00e1n Bar\u00e1th, Zvuk:<\/strong> Norbert Kuki<\/em>

\nPrincezn\u00e1 t\u00fa\u017ei po v\u0161etk\u00fdch \u0161perkoch z\u00e1mku a kr\u00e1\u013e u\u017e m\u00e1 toho dos\u0165. Vyd\u00e1 princezn\u00fa na pyta\u010dky s jej jednou podmienkou, \u017ee si vezme \u0161kriatka s najligotavej\u0161ie upraven\u00fdm hr\u00edbikom. Ozdoby pril\u00e1kaj\u00fa ne\u010faleko s\u00eddliace straky a v kr\u00e1\u013eovstve vypukne ve\u013ek\u00e1 katastrofa. Dok\u00e1\u017ee \u0161kriatok s oby\u010dajn\u00fdm dom\u010dekom zachr\u00e1ni\u0165 princezn\u00fa a vyvr\u00e1ti\u0165 jej hodnoty?\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tO m\u0155tvych len v dobrom (Rave to the Grave) <\/span>

\n\u017d\u00e1ner:<\/strong> tragikom\u00e9dia
\n\nStop\u00e1\u017e:<\/strong> 23 min.
\nR\u00e9\u017eia:<\/strong> Vladim\u00edr Horn\u00edk, V\u00fdkonn\u00fd producent:<\/strong> Barbora Lehotsk\u00e1, Scen\u00e1r:<\/strong> Vladim\u00edr Horn\u00edk, Alexandra Nikov\u00e1, Barbora Lehotsk\u00e1, Kamera:<\/strong> Laura Lara Polovkov\u00e1, Strih:<\/strong> Adam Veleb\u00edr, Zvuk:<\/strong> Pavol Guman, Vizu\u00e1lne efekty:<\/strong> Maro\u0161 \u0160est\u00e1k<\/em>

\nVdova O\u013ega sa v\u0161emo\u017ene sna\u017e\u00ed pochova\u0165 svojho mu\u017ea tyrana, aby kone\u010dne dosiahla pocit slobody. Sled absurdn\u00fdch udalost\u00ed jej to v\u0161ak znemo\u017e\u0148uje.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tLekcie z pon\u00ed\u017eenosti (Lessons from humiliation) <\/span>

\n\u017d\u00e1ner:<\/strong> coming-of-age dr\u00e1ma
\n\nStop\u00e1\u017e:<\/strong> 20 min.
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Mat\u00fa\u0161 \u010eurana, V\u00fdkonn\u00fd producent:<\/strong> Nata\u0161a Jur\u010dov\u00e1-Findrov\u00e1, Kamera:<\/strong> \u0160imon Peter Dom\u010dek, Strih:<\/strong> Oliver Bah\u00fal, Zvuk:<\/strong> Jaroslav Pe\u0161ek<\/em>

\nKrehk\u00e1 sonda do sveta dvoch mlad\u00fdch muzikantov, ktor\u00ed objavuj\u00fa hodnotu priate\u013estva. Rastik a Dalibor spolu hraj\u00fa vo folk-popovej kapele u\u017e od strednej \u0161koly. Po prv\u00fdch koncertoch v\u0161ak Rastik neohl\u00e1sene utek\u00e1 na chalupu. Film mapuje Daliborovu snahu by\u0165 empatick\u00fdm a starostliv\u00fdm priate\u013eom. V\u010faka MiniDV kamere, paradokument\u00e1rnej r\u00e9\u017eii a obsadeniu nehercov z\u00edskava film autenticitu a siln\u00fa emocion\u00e1lnu v\u00fdpove\u010f.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tNabl\u00edzku (Standing Still) <\/span>

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma, kom\u00e9dia\n
\nStop\u00e1\u017e:<\/strong> 27 min.
\nR\u00e9\u017eia:<\/strong> Monika Mah\u00fatov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Magdal\u00e9na Neve\u010falov\u00e1, Scen\u00e1r:<\/strong> Lucia Ditte a Monika Mah\u00fatov\u00e1, Kamera:<\/strong> Lucia Kova\u013eov\u00e1, Strih:<\/strong> Martin Piga, Zvuk:<\/strong> Daniel Hor\u0148\u00e1k<\/em>

\nDvadsa\u0165sedem ro\u010dn\u00e1 Anna \u017eije s matkou Hanou v spolo\u010dnej dom\u00e1cnosti v bl\u00edzkosti slovensko-ma\u010farsk\u00fdch hran\u00edc. Anna si uvedomuje, \u017ee ju ich spolo\u010dn\u00e9 na\u017e\u00edvanie ober\u00e1 o mo\u017enos\u0165 pohn\u00fa\u0165 sa v \u017eivote \u010falej. Hana je \u017eena, ktor\u00e1 za\u017eila po\u010das svojho \u017eivota ve\u013ea sklaman\u00ed. Sna\u017e\u00ed ochr\u00e1ni\u0165 svoju dc\u00e9ru pred chybami, ktor\u00e9 kedysi spravila sama. Nako\u013eko sa ale spolu nikdy nerozpr\u00e1vaj\u00fa otvorene o probl\u00e9moch a ich vz\u0165ahu, neexistuje pre Annu cesta, ako od\u00eds\u0165, bez toho, aby t\u00fdm ubl\u00ed\u017eila matke.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tKr\u00e1lik (Rabbit)<\/span>

\n\u017d\u00e1ner:<\/strong> tragikom\u00e9dia\n
\nStop\u00e1\u017e:<\/strong> 16 min.
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Andrej Zelenec, V\u00fdkonn\u00fd producent:<\/strong> Michal Tomko, Kamera:<\/strong> Paul\u00edna Hampachelov\u00e1, Strih:<\/strong> Filip \u0160ablatura, Zvuk:<\/strong> Mat\u00fa\u0161 Dibarbora<\/em>

\n\u013dudstvo zasiahlo sprisahanie kr\u00e1likov. Po svete sa tvoria obrann\u00e9 skupiny, tr\u00e9nuj\u00face na boj proti nim. Michal, \u00fa\u010dastn\u00edk bojovej skupiny, stoj\u00ed pred z\u00e1sadn\u00fdm rozhodnut\u00edm. Dostane za \u00falohu zabi\u0165 kr\u00e1lika.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tRobot a vt\u00e1\u010dik (The Robot and the Bird)<\/span>

\n\u017d\u00e1ner:<\/strong> animovan\u00fd film\n
\nStop\u00e1\u017e:<\/strong> 4 min.
\nR\u00e9\u017eia, kamera, strih a vizu\u00e1lne efekty:<\/strong> Krist\u00edna Benkov\u00e1, Scen\u00e1r:<\/strong> Krist\u00edna Benkov\u00e1 a Karin Kissov\u00e1, Zvuk:<\/strong> Sanya Buhaiev<\/em>

\nRobot a Vt\u00e1\u010dik je kr\u00e1tky animovan\u00fd film, ktor\u00fd vznikol v bakal\u00e1rskom ro\u010dn\u00edku. Robot si \u017eije svojim pokojn\u00fdm \u017eivotom pri p\u0161eni\u010dnom poli, ktor\u00e9 ka\u017ed\u00fd de\u0148 str\u00e1\u017ei. Raz k nemu zav\u00edta nezn\u00e1my operenec, ktor\u00fd mu pozmen\u00ed pl\u00e1ny d\u0148a a nakoniec mu aj prirastie k srdcu.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t P\u00c1SMO 4 – PRAVDA<\/b>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tOtr\u00e1ven\u00e1 stud\u0148a (Poisoned Well) <\/span>

\n\u017d\u00e1ner:<\/strong> report\u00e1\u017e
\n\nStop\u00e1\u017e:<\/strong> 14 min.
\nR\u00e9\u017eia:<\/strong> Radek \u0160ev\u010d\u00edk, V\u00fdkonn\u00fd producent:<\/strong> Rebeka Ondov\u00e1, Strih:<\/strong> Petr Chrom\u010d\u00e1k<\/em>

\n12.10.2022 – teroristick\u00fd \u00fatok v\u202fBratislave. Smr\u0165 dvoch nevinn\u00fdch LGBTI+ \u013eud\u00ed \u2013 Juraja a\u202fMat\u00fa\u0161a. Bez politickej odpovede. Monochromatick\u00e9 dokument\u00e1rne requiem pojedn\u00e1va o\u202fnelep\u0161iacom sa stave slovenskej spolo\u010dnosti po \u00fatoku, rovnako ako o\u202f\u0161irokej \u0161k\u00e1le pocitov LGBTI+ \u013eud\u00ed, medzi ktor\u00fdch patr\u00ed aj autor filmu s\u00e1m. Potl\u00e1\u010dan\u00e9 em\u00f3cie sa nedar\u00ed filtrova\u0165 ani na kurze sebaobrany. Stud\u0148a zost\u00e1va otr\u00e1ven\u00e1, jed menom netolerancia sa z\u202fnej st\u00e1le nedar\u00ed odstr\u00e1ni\u0165. Naozaj je potrebn\u00e9, aby \u017eili \u013eudia v\u202fstrachu?\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tNav\u00f4kol tma (Darkness all around)<\/span>

\n\u017d\u00e1ner:<\/strong> report\u00e1\u017e
\n\nStop\u00e1\u017e:<\/strong> 13 min.
\nR\u00e9\u017eia, scen\u00e1r, kamera a strih:<\/strong> Dominika Tarinov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Martina Bob\u00e1\u0148ov\u00e1, Zvuk:<\/strong> Samuel Ostrovsk\u00fd<\/em>

\nPo\u010das zimy sa ve\u010dern\u00fd Kyjev premenil na mesto tie\u0148ov a siluet. Ostre\u013eovanie energetick\u00fdch cie\u013eov absurdne prenieslo vojnu zo z\u00e1kopov do be\u017en\u00fdch dom\u00e1cnost\u00ed a \u013eudia sa sna\u017eia prisp\u00f4sobi\u0165 \u017eivotu v tme. Na teraz viac svietia hviezdy a astron\u00f3mom sa otv\u00e1raj\u00fa nov\u00e9 mo\u017enosti sk\u00famania.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tPre pr\u00edpad do\u017eitia (In Case of Survival) <\/span>

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma\n
\nStop\u00e1\u017e:<\/strong> 17 min.
\nR\u00e9\u017eia:<\/strong> Juraj Kr\u00e9n, V\u00fdkonn\u00fd producent:<\/strong> Jaroslav Stup\u00e1k, Scen\u00e1r:<\/strong> Eva Bizovsk\u00e1 a Juraj Kr\u00e9n, Kamera:<\/strong> Matej J\u00e1no\u0161\u00edk, Strih:<\/strong> Tom\u00e1\u0161 Kr\u00e1l\u00edk, Zvuk:<\/strong> Samuel Perunko<\/em>

\n70-ro\u010dn\u00fd Samuel je vyprovokovan\u00fd finan\u010dnou poradky\u0148ou a prv\u00fdkr\u00e1t v \u017eivote nahlas prizn\u00e1, \u017ee je gay. Nevie t\u00fa situ\u00e1ciu spracova\u0165 a tak mu pom\u00e1ha susedka Milka.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tSvet pod\u013ea Megi (The World According to Megi)<\/span>

\n\u017d\u00e1ner:<\/strong> soci\u00e1lny portr\u00e9t
\n\nStop\u00e1\u017e:<\/strong> 28 min.
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Alexandra F. Szak\u00e1lov\u00e1, V\u00fdkonn\u00fd producent:<\/strong> Silvia Goli\u00e1\u0161ov\u00e1, Kamera:<\/strong> G\u00e1bor Angyal, Strih:<\/strong> Martin Kasala, Zvuk:<\/strong> Matej Barok a Peter \u013dahk\u00fd<\/em>

\nFilm je portr\u00e9tom 16-ro\u010dn\u00e9ho diev\u010da\u0165a, ktor\u00e9 najm\u00e4 v d\u00f4sledku svojej vz\u00e1cnej choroby (Choroba mot\u00fdl\u00edch kr\u00eddel) \u017eije od narodenia odli\u0161n\u00fd \u017eivot od v\u00e4\u010d\u0161iny svojich vrstovn\u00edkov a s obmedzeniami, ktor\u00e9 jej stav, prin\u00e1\u0161a. Mno\u017estvo fyzick\u00fdch obmedzen\u00ed ako aj strety s poh\u013eadom na chorobu zo strany in\u00fdch nez\u00fa\u010dastnen\u00fdch os\u00f4b, tvorili a tvoria podstatn\u00fa \u010das\u0165 aj toho, ako svoje bytie, pre\u017e\u00edva. A aj ke\u010f choroba a jej prejavy jej br\u00e1nia v \u017eivote a kvalite, ak\u00fd by si asi predstavovala, jej du\u0161evn\u00fd svet funguje adekv\u00e1tne a plnohodnotne jej veku, stavu ako i snom, ktor\u00e9 by si ka\u017ed\u00fd, vr\u00e1tane Megi, chcel splni\u0165. Aj popri kreat\u00edvnych aktivit\u00e1ch v podobe kreslenia \u010di z\u00e1kladov grafiky, si tak vytv\u00e1ra svoj vlastn\u00fd svet \u2013 svet pod\u013ea Megi. A to v\u0161etko za s\u00fastavnej pomoci miluj\u00facich rodi\u010dov.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tV\u00edtan\u00ed jara (La Primavera) <\/span>\n
\n\u017d\u00e1ner:<\/strong> dr\u00e1ma\n
\nStop\u00e1\u017e:<\/strong> 9 min.\nR\u00e9\u017eia, scen\u00e1r a strih:<\/strong> Petr Chrom\u010d\u00e1k; Kamera:<\/strong> Radek \u0160ev\u010d\u00edk a Petr Chrom\u010d\u00e1k, Zvuk:<\/strong> Vojt\u011bch Jav\u016frek<\/em>\n

\nKv\u011bty na ja\u0159e postupn\u011b pu\u010d\u00ed a za\u010d\u00ednaj\u00ed pozn\u00e1vat sv\u011bt jak ho do t\u00e9 doby nepoznaly. Mlad\u00e1 Anna je zamilovan\u00e1 do sv\u00e9ho nejlep\u0161\u00edho kamar\u00e1da. Jeji l\u00e1ska je nepov\u0161imut\u00e1. Jenom\u017ee zvuky basketbalov\u00e9ho m\u00ed\u010de p\u0159iv\u00e1b\u00ed Kry\u0161p\u00ednovu pozornost k Annin\u00e9mu bratranci Davidovi. Kry\u0161p\u00edn, zakouk\u00e1n do Davida, jako by najednou na Annu \u00fapln\u011b zapomn\u011bl. Jak se Anna k takov\u00e9 situaci postav\u00ed?\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\tRozpt\u00fdlen\u00e9 hniezdo (The Scattered Nest)<\/span>

\n\u017d\u00e1ner:<\/strong> autorsk\u00fd dokument
\n\nStop\u00e1\u017e:<\/strong> 27 min.
\nR\u00e9\u017eia, scen\u00e1r a strih:<\/strong> Valery Neskaradziany, Zvuk:<\/strong> Stanislav Kr\u00e1lik<\/em>

\nCesta rodiny za politick\u00fdm azylom men\u00ed sa na boj o pre\u017eitie. Rodina \u0160ymkovcov je uv\u00e4znen\u00e1 v Bielorusku, ale ich sny prekra\u010duj\u00fa hranice. Rodina prech\u00e1dza ob\u010dianskou “reinkarn\u00e1ciou”, procesom, ktor\u00fd nie ka\u017ed\u00fd dok\u00e1\u017ee alebo chce podst\u00fapi\u0165. Film Rozpt\u00fdlen\u00e9 hniezdo je zobrazen\u00edm ve\u013ekej soci\u00e1lnej dr\u00e1my oby\u010dajn\u00fdch, znev\u00fdhodnen\u00fdch \u013eud\u00ed a z\u00e1rove\u0148 in\u0161pirat\u00edvnou b\u00e1s\u0148ou o nich.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tPosledn\u00e1 \u0161anca (The Last Chance) <\/span>

\n\u017d\u00e1ner:<\/strong> dr\u00e1ma\n
\nStop\u00e1\u017e:<\/strong> 16 min.
\nR\u00e9\u017eia a scen\u00e1r:<\/strong> Anna Ahaliieva, V\u00fdkonn\u00fd producent:<\/strong> Tobi\u00e1\u0161 Ondru\u0161, Kamera:<\/strong> Lenka \u0160p\u00e1nikov\u00e1, Strih:<\/strong> Filip \u0160ablatura, Zvuk:<\/strong> Filip Farka\u0161ovsk\u00fd<\/em>

\nDej filmu sa odohr\u00e1va v 80. rokoch minul\u00e9ho storo\u010dia v \u010ceskoslovensku. Pr\u00edbeh ukazuje nutnos\u0165 utajovania l\u00e1sky medzi dvomi \u017eenami, ktor\u00e1 by v tom obdob\u00ed bola priam neakceptovate\u013en\u00e1 spolo\u010dnos\u0165ou. Ist\u00e9 okolnosti na\u0161e dve protagonistky don\u00fatia dr\u017ea\u0165 spolo\u010dn\u00e9 pocity v tajnosti a prisp\u00f4sobi\u0165 sa \u201etradi\u010dn\u00e9mu\u201c \u017eivotu, \u010do je proti tomu, \u010do c\u00edtia ich srdcia.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tDie\u0165a tretej kult\u00fary (The Third Culture Kid)<\/span>

\n\u017d\u00e1ner:<\/strong> dokument\u00e1rny film
\n\nStop\u00e1\u017e:<\/strong> 15 min.
\nR\u00e9\u017eia:<\/strong> Hannah Dale, Asistent:<\/strong> Samuel Tel\u00fach<\/em>

\nVo svete, kde sa hranice ma\u017e\u00fa a kult\u00fary prel\u00ednaj\u00fa, pr\u00edbeh Chantal sl\u00fa\u017ei ako dojemn\u00e9 presk\u00famanie \u0165a\u017ekost\u00ed, ktor\u00fdm \u010delia t\u00ed, ktor\u00ed sa nach\u00e1dzaj\u00fa medzi n\u00e1rodmi. S probl\u00e9mami kult\u00farnej identity sa stret\u00e1va \u010doraz v\u00e4\u010d\u0161ie mno\u017estvo det\u00ed a ona je len jedna z nich. \u201cM\u00e1m ve\u013ea domovov, no napriek tomu sa v ka\u017edom c\u00edtim ako cudzinec.\u201d\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

S\u00da\u0164A\u017dN\u00c9 P\u00c1SMA P\u00c1SMO 1 – \u013dUDSKOS\u0164 Iluze, rod mu\u017esk\u00fd (A Sea to Remember)\u00a0 \u017d\u00e1ner: dokument\u00e1rna esej Stop\u00e1\u017e: 10 min.\u00a0 R\u00e9\u017eia: Radek \u0160ev\u010d\u00edk, V\u00fdkonn\u00fd producent: \u0160imon Hud\u00e1k, Scen\u00e1r: Radek \u0160ev\u010d\u00edk, Kamera a strih: Petr Chrom\u010d\u00e1k, Zvuk: Marek Brinz\u00edk\u00a0 Star\u00fd indick\u00fd m\u00fdtus o prom\u011bn\u011b mudrce Narady o\u017e\u00edv\u00e1 v osobn\u00ed dokument\u00e1rn\u00ed eseji \u201eiluze, rod mu\u017esk\u00fd\u201c. Autor poznamenan\u00fd zku\u0161enost\u00ed … <\/p>\n

Pokra\u010dova\u0165 v \u010d\u00edtan\u00ed “S\u00fa\u0165a\u017en\u00e9 p\u00e1sma 2023”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"master_addons_team_thumb":false,"1536x1536":false,"2048x2048":false,"post-thumbnail":false},"uagb_author_info":{"display_name":"festivalacko","author_link":"https:\/\/festivalacko.sk\/archiv\/2023\/author\/festivalacko\/"},"uagb_comment_info":0,"uagb_excerpt":"S\u00da\u0164A\u017dN\u00c9 P\u00c1SMA P\u00c1SMO 1 – \u013dUDSKOS\u0164 Iluze, rod mu\u017esk\u00fd (A Sea to Remember)\u00a0 \u017d\u00e1ner: dokument\u00e1rna esej Stop\u00e1\u017e: 10 min.\u00a0 R\u00e9\u017eia: Radek \u0160ev\u010d\u00edk, V\u00fdkonn\u00fd producent: \u0160imon Hud\u00e1k, Scen\u00e1r: Radek \u0160ev\u010d\u00edk, Kamera a strih: Petr Chrom\u010d\u00e1k, Zvuk: Marek Brinz\u00edk\u00a0 Star\u00fd indick\u00fd m\u00fdtus o prom\u011bn\u011b mudrce Narady o\u017e\u00edv\u00e1 v osobn\u00ed dokument\u00e1rn\u00ed eseji \u201eiluze, rod mu\u017esk\u00fd\u201c. Autor poznamenan\u00fd zku\u0161enost\u00ed…","_links":{"self":[{"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/pages\/6009"}],"collection":[{"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/comments?post=6009"}],"version-history":[{"count":6,"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/pages\/6009\/revisions"}],"predecessor-version":[{"id":7199,"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/pages\/6009\/revisions\/7199"}],"wp:attachment":[{"href":"https:\/\/festivalacko.sk\/archiv\/2023\/wp-json\/wp\/v2\/media?parent=6009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}